Curriculum
- 1 Section
- 167 Lessons
- Lifetime
Expand all sectionsCollapse all sections
- 167
- 1.1Pre-Week 1: Intro
- 1.2Pre-Week 1: What Is A DAW? – Ableton (Pt 1)
- 1.3Pre-Week 1: What Is A DAW? – Ableton (Pt 2)
- 1.4Pre-Week 1: What Is A DAW? – Ableton (Pt 3)
- 1.5Pre-Week 1: What Is A DAW? – Logic (Pt 1)
- 1.6Pre-Week 1: What Is A DAW? – Logic (Pt 2)
- 1.7Pre-Week 1: Conclusion
- 1.8Week 1: Intro
- 1.9Week 1: A Brief History of Electronic Music
- 1.10Week 1: Creative Start / The Boiling Pot (8 Bars) – Pt 1
- 1.11Week 1: Creative Start / The Boiling Pot (8 Bars) – Pt 2
- 1.12Week 1: Conclusion
- 1.13Week 2: Intro
- 1.14Week 2: Extending The Boiling Pot (16 Bars) Part 1 – 8 Bars to 16 Bars: (Pt 1)30 Minutes
- 1.15Week 2: Extending The Boiling Pot (16 Bars) Part 1 – 8 Bars to 16 Bars (Pt 2)
- 1.16Week 2: Extending The Boiling Pot (16 Bars) Part 2 – Understanding Beat Measures
- 1.17Week 2: Extending The Boiling Pot (16 Bars) Part 3 – Introduction To Key Signatures
- 1.18Week 2: Conclusion
- 1.19Week 3: Intro
- 1.20Week 3: Musicality in Electronic Music – Part 1 – Building The Track (Pt 1)
- 1.21Week 3: Musicality in Electronic Music – Part 1 – Building The Track (Pt 2)
- 1.22Week 3: Musicality in Electronic Music – Part 2 – Timbre And Tonality (Pt 1)
- 1.23Week 3: Musicality in Electronic Music – Part 2 – Timbre And Tonality (Pt 2)
- 1.24Week 3: Musicality in Electronic Music – Part 3 – Understanding Bars / Grid
- 1.25Week 3: Conclusion
- 1.26Week 4: Intro
- 1.27Week 4: Rhythmic Textures/Genre Analysis Part 130 Minutes
- 1.28Week 4: Rhythmic Textures/Genre Analysis Part 2 (Pt 1)
- 1.29Week 4: Rhythmic Textures/Genre Analysis Part 2 (Pt 2)30 Minutes
- 1.30Week 4: Rhythmic Textures/Genre Analysis Part 2 (Pt 3)30 Minutes
- 1.31Week 4: Rhythmic Textures/Genre Analysis Part 3 – Flex Time (Logic)
- 1.32Week 4: Rhythmic Textures/Genre Analysis Part 3 – Warping Audio (Ableton)
- 1.33Week 4: Conclusion30 Minutes
- 1.34Week 5: Intro
- 1.35Week 5: Mixing and Arranging – Part 1 (Pt 1)
- 1.36Week 5: Mixing and Arranging – Part 1 (Pt 2)
- 1.37Week 5: Mixing and Arranging – Part 1 (Pt 3)
- 1.38Week 5: Mixing and Arranging – Part 2: Direct And Parallel Processing
- 1.39Week 5: Mixing and Arranging – Part 2: Mixing With Pink Noise (Pt 1)
- 1.40Week 5: Mixing and Arranging – Part 2: Mixing With Pink Noise (Pt 2)
- 1.41Week 5: Conclusion
- 1.42Week 7: Intro
- 1.43Week 7: Introduction To Midi
- 1.44Week 7: Creative Start/The Boiling Pot (8 Bars) Logic (Pt 1)
- 1.45Week 7: Creative Start/The Boiling Pot (8 Bars) Logic (Pt 2)
- 1.46Week 7: Creative Start/The Boiling Pot (8 Bars) Logic (Pt 3)30 Minutes
- 1.47Week 7: Creative Start/The Boiling Pot (8 Bars) Ableton (Pt 1)
- 1.48Week 7: Creative Start/The Boiling Pot (8 Bars) Ableton (Pt 2)
- 1.49Week 7: Creative Start/The Boiling Pot (8 Bars) Ableton (Pt 3)
- 1.50Week 7: Conclusion
- 1.51Week 8: Intro
- 1.52Week 8: Extending The Boiling Pot (16 Bars) Part 1
- 1.53Week 8: Extending The Boiling Pot (16 Bars) Part 2 – Scales
- 1.54Week 8: Extending The Boiling Pot (16 Bars) Part 2 – Intervals & Triads
- 1.55Week 8: Conclusion
- 1.56Week 9: Intro
- 1.57Week 9: Extending Composition Skills and Techniques – Part 1 – Arrangements
- 1.58Week 9: Extending Composition Skills and Techniques – Part 2 – Scales (Pt 1)
- 1.59Week 9: Extending Composition Skills and Techniques – Part 2 – Modes (Pt 2)
- 1.60Week 9: Extending Composition Skills and Techniques – Part 3
- 1.61Week 9: Conclusion
- 1.62Week 10: Intro
- 1.63Week 10: Genre Specific Production Techniques And Sounds Part 1
- 1.64Week 10: Genre Specific Production Techniques And Sounds Part 2
- 1.65Week 10: 808 Sub Bass
- 1.66Week 10: Fat 909 Kick Trick
- 1.67Week 10: 808 Bass Distortion
- 1.68Week 10: Square Bass For Grime
- 1.69Week 10: Reese Bass
- 1.70Week 10: Conclusion
- 1.71Week 11: Intro
- 1.72Week 11: Blending Sounds – Pt1
- 1.73Week 11: Blending Sounds – Pt2
- 1.74Week 11: Blending Sounds – Pt3
- 1.75Week 11: Conclusion
- 1.76Week 12: Intro30 Minutes
- 1.77Week 12: Using Effects Artistically – Pt 1
- 1.78Week 12: Using Effects Artistically – Pt 2
- 1.79Week 12: Using Effects Artistically – Pt 3
- 1.80Week 12: Conclusion30 Minutes
- 1.81Week 13: Intro
- 1.82Week 13: Bass Weight – Pt 1
- 1.83Week 13: Bass Weight – Pt 2
- 1.84Week 13: Bass Weight – Pt 3
- 1.85Week 13: Bass Weight – Pt 4
- 1.86Week 13: Bass Weight – Pt 5
- 1.87Week 13: Bass Weight – Pt 6 (additional content)
- 1.88Week 13: Bass Weight – Pt 7 (additional content)
- 1.89Week 13: Bass Weight – Pt 8 (additional content)
- 1.90Week 13: Conclusion
- 1.91Week 14: Intro
- 1.92Week 14: The Mix Down – Part 1 – Drums & Bass
- 1.93Week 14: The Mix Down – Part 1 – Headphone & Monitor Mixing
- 1.94Week 14: The Mix Down – Part 2
- 1.95Week 14: The Mix Down – Part 3 (Pt 1)
- 1.96Week 14: The Mix Down – Part 3 (Pt 2)
- 1.97Week 14: Conclusion
- 1.98Week 16: Intro
- 1.99Week 16: Sound Design – Part 1: Analogue & Subtractive Synthesis
- 1.100Week 16: Sound Design – Part 1: Digital & Additive Synthesis
- 1.101Week 16: Sound Design – Part 2: Controlling Synth Parameters
- 1.102Week 16: Sound Design – Part 3: Demonstration On Subtractive Synthesis
- 1.103Week 16: Conclusion
- 1.104Week 17: Intro
- 1.105Week 17: Sound Design – Part 1: Chopping up Breaks | NI Kontakt
- 1.106Week 17: Sound Design – Part 1: Chopping up Breaks | Ableton Drum Rack
- 1.107Week 17: Sound Design – Part 2: Pads And Ambience Made W/ A Voice
- 1.108Week 17: Sound Design – Part 2: Snare Made W/ A Voice
- 1.109Week 17: Sound Design – Part 2: Turning A Voice Into a Synth (Reese) Bass
- 1.110Week 17: Sound Design – Part 3: Making A Track Using A Cereal Box (Effects)
- 1.111Week 17: Sound Design – Part 3: Making A Track Using A Cereal Box (Pad, Boom FX & Granular)
- 1.112Week 17: Conclusion
- 1.113Week 18: Intro
- 1.114Week 18: Found Sound – Part 1: Introduction
- 1.115Week 18: Found Sound – Part 2: John Cage
- 1.116Week 18: Found Sound – Part 3: Pierre Schaeffer
- 1.117Week 18: Found Sound – Part 4: Karlheinz Stockhausen
- 1.118Week 18: Granular Synthesis – Part 1
- 1.119Week 18: Granular Synthesis – Part 2
- 1.120Week 18: Granular Synthesis – Part 3
- 1.121Week 18: Conclusion
- 1.122Week 19: Intro
- 1.123Week 19: Nomine’s Fish Tank – Part 1: The Song & Concept
- 1.124Week 19: Nomine’s Fish Tank – Part 2: The Creative Process
- 1.125Week 19: Nomine’s Fish Tank – Part 3: The Task
- 1.126Week 19: Conclusion
- 1.127Week 20: Intro
- 1.128Week 20: Atmospherics | Sound Design
- 1.129Week 20: Conclusion
- 1.130Week 21: Putting It All Together – Part 1 (Pt 1)30 Minutes
- 1.131Week 21: Putting It All Together – Part 1 (Pt 2)30 Minutes
- 1.132Week 21: Putting It All Together – Part 230 Minutes
- 1.133Week 23: IMPORTANT INFO – PLEASE WATCH and check text description for resources
- 1.134Week 24: Intro
- 1.135Week 24: Extending Composition Skills and Techniques – Basic Harmony: Scales and Keys
- 1.136Week 24: Conclusion30 Minutes
- 1.137Week 25: Keys, Chords & Intervals
- 1.138Week 25: Chords & Stabs – Part 1
- 1.139Week 25: Chords & Stabs – Part 2
- 1.140Week 25: Chords & Stabs – Part 3
- 1.141Week 25: Chords & Stabs – Part 4
- 1.142Week 26: Transitions – Part 1
- 1.143Week 26: Transitions – Part 2
- 1.144Week 26: Transitions – Part 3
- 1.145Week 27: Mastering – Part 1: Balance, Mono, Transient Shaping, Subtractive EQ, CPU
- 1.146Week 27: Mastering – Part 2: Tuning Drums, CPU, Grouping & Processing Drums As A Sum
- 1.147Week 27: Mastering – Part 3: Fundamental Frequencies, Conflicting Energy, Phase, Unwanted Lows30 Minutes
- 1.148Week 27: Mastering – Part 4: More Phase, The Bass, Gain Staging30 Minutes
- 1.149Week 27: Mastering – Part 5: A/B (Cross Referencing), The Highs, More Balancing30 Minutes
- 1.150Week 27: Mastering – Part 6: Fletcher Munson Curve, The Real NY Compression Technique, Pre-Master Advice, More A/B30 Minutes
- 1.151Week 27: Mastering – Part 7: “Getting There”, Congestion, Bringing In The Other Elements, More Parallel Processing
- 1.152Week 27: Mastering – Part 8: Hitting Harder, MIDI Velocity, A Different Room, Separation, Kick And Bass Relationship, Conflicting Frequencies & Yes
- 1.153Week 27: Mastering – Part 9: Kick & Bass, Tighter Drums, The Drop
- 1.154Week 27: Mastering – Part 10: The Riffs And The Second Drop
- 1.155Week 27: Mastering – Part 11: Balance Enlightenment And DIY Mastering: Part 1
- 1.156Week 27: Mastering – Part 12: Balance Enlightenment And DIY Mastering: Part 2
- 1.157Week 27: Mastering – Part 13: Wrap Up And Final Playthrough
- 1.158Week 28: Sending Demos – Part 1: 25 Years of Sending Demos
- 1.159Week 28: Sending Demos – Part 2: Networking & Being Proactive
- 1.160Week 28: Sending Demos – Part 3: When is the right time to send your music out? Who to send to and how? Plot your journey!30 Minutes
- 1.161Week 28: Sending Demos – Part 4: We cannot please everyone, maybe even those we wish to please
- 1.162Week 28: Sending Demos – Part 5: Advice On How To Send Demos
- 1.163Week 28: Sending Demos – Part 6: Summary and one final golden nugget tip
- 1.164Week 29 – Part 1: Electronic Press Kit
- 1.165Week 29 – Part 2: Logo, Biography, Discography
- 1.166Week 29 – Part 3: More on sending demos
- 1.167Week 29 – Part 4: DIY
You need to start/enroll to the course to see the course contents. Please head back to the course page to start the course.
Week 29 – Part 3: More on sending demos
Prev